The Complete Overview of Vincent Herbert’s Current Work
Vincent Herbert’s post-*Empire* career is a masterclass in controlled evolution. After leaving *Empire* in 2020—amidst creative differences and the pandemic’s upheaval—he didn’t vanish. Instead, he transitioned into a hybrid role: executive producer, mentor, and occasional showrunner. His recent credits read like a blueprint for the next era of Black-led storytelling, but with a twist—he’s prioritizing projects that align with his vision of "elevated entertainment," a term he’s used in interviews to describe work that’s both commercially viable and culturally resonant. What’s striking is the diversity of his current portfolio. While *Empire* remains his magnum opus, Herbert has leaned into producing shows that push boundaries without sacrificing mass appeal. He’s also become a sought-after consultant for networks and studios looking to develop content with authentic Black perspectives. The key? He’s not just producing—he’s curating. His involvement in projects like *Power Book II: Ghost* (Starz) and *The Chi* (Showtime) proves he’s still shaping narratives, but with a focus on sustainability. The question *what is Vincent Herbert doing now* isn’t just about his next big hit; it’s about how he’s redefining his role in an industry that’s increasingly creator-centric.Historical Background and Evolution
Herbert’s journey from *Empire* to his current phase is a study in adaptability. Before the show’s breakout success, he was already a rising star in TV, known for his work on *The Game* and *The Wire*. But *Empire* wasn’t just a career boost—it was a cultural reset. The show’s blend of family saga, power struggles, and unapologetic Black joy made it a phenomenon, but its abrupt cancellation in 2020 forced Herbert to confront a harsh reality: the industry’s appetite for Black narratives can be as fickle as it is voracious. His response? A calculated retreat from the spotlight. Instead of chasing another *Empire*-level franchise, he’s focused on nurturing talent and developing projects with longer lifespans. This shift mirrors a broader trend in Hollywood, where creators are prioritizing quality over quantity. Herbert’s move to producing through his company, *Herbert Entertainment*, gives him creative control while allowing him to take on multiple projects without the pressure of single-handedly carrying a show. The result? A portfolio that’s leaner but sharper, with each project serving as a stepping stone rather than a standalone empire.Core Mechanisms: How It Works
Herbert’s current strategy revolves around three pillars: **selective producing**, **mentorship**, and **strategic partnerships**. First, he’s handpicking projects that align with his brand of storytelling—complex characters, high stakes, and a commitment to diversity without tokenism. His work on *Power Book II: Ghost* (a spin-off of *Power*) and *The Chi*’s later seasons demonstrates this approach: he’s not just lending his name; he’s shaping the creative direction. Second, he’s become a mentor to the next generation of Black creators. Through initiatives like the *Herbert Entertainment Fellowship*, he’s grooming writers and producers to fill the pipeline. This isn’t just altruism—it’s insurance against another *Empire*-style cancellation. By investing in talent, he’s building a network that can sustain his vision long after he steps back. Finally, Herbert has embraced strategic partnerships. His collaboration with Warner Bros. TV and Starz shows he’s not afraid to work within corporate structures—so long as he retains creative autonomy. This pragmatism is what sets him apart. While some creators burn out chasing "passion projects," Herbert understands the industry’s realities and plays the long game.Key Benefits and Crucial Impact
The ripple effects of Herbert’s current work extend beyond his immediate projects. By focusing on mentorship and sustainable storytelling, he’s helping to diversify the ranks of showrunners and producers—a critical need in an industry still grappling with systemic barriers. His approach also challenges the notion that Black creators must compromise their vision to succeed. Herbert’s ability to navigate corporate demands while staying true to his artistic roots is a blueprint for others. What’s often overlooked is his influence on the broader media landscape. *Empire* proved that Black-led dramas could dominate ratings, but Herbert’s post-*Empire* work is about legacy. He’s not just making shows; he’s building an ecosystem where Black stories are told by Black voices, without the pressure to conform to white-washed expectations. This is the real impact of *what is Vincent Herbert doing now*—it’s not just about his next project, but about reshaping how Black narratives are perceived and produced.*"The goal isn’t to make another Empire. It’s to make sure the next generation has the tools to make their own Empires."* — Vincent Herbert, 2023 interview with The Hollywood Reporter
Major Advantages
- Creative Control: By producing through his own company, Herbert avoids the creative restrictions that often plague studio-driven projects. His involvement ensures that Black perspectives remain central.
- Industry Influence: His reputation as a "safe pair of hands" for networks has made him a go-to consultant for developing authentic, marketable content. Studios trust his eye for both commercial success and cultural relevance.
- Talent Development: Programs like the *Herbert Entertainment Fellowship* are creating a pipeline of diverse creators, ensuring that his legacy extends beyond his own work.
- Strategic Flexibility: Unlike creators tied to a single franchise, Herbert’s diversified portfolio allows him to pivot quickly—whether that means reviving a dormant project or greenlighting a new one.
- Cultural Impact: His work continues to redefine what Black storytelling can look like on screen, pushing for complexity and depth rather than stereotypes or one-dimensional characters.
Comparative Analysis
| Vincent Herbert’s Current Approach | Traditional TV Producer Model |
|---|---|
| Focuses on mentorship and talent development alongside producing. | Often relies on a top-down, studio-driven process with limited creator input. |
| Prioritizes projects with long-term sustainability over viral potential. | Chases "hit" shows with high upfront budgets and short-term ROI expectations. |
| Works across networks and streaming platforms to diversify revenue streams. | Typically tied to a single network or studio, limiting creative and financial flexibility. |
| Uses his brand to attract diverse collaborators and investors. | Relies on industry connections and past successes to secure deals. |
Future Trends and Innovations
Herbert’s next moves will likely focus on two fronts: **expanding his producing brand** and **leveraging his influence in unscripted content**. Given the rise of creator-driven platforms like Netflix and Amazon, he’s well-positioned to develop limited series or anthology projects that play to his strengths—high-concept storytelling with diverse casts. His involvement in *Power Book II: Ghost* suggests he’s also exploring spin-offs and interconnected universes, a trend that’s gaining traction in TV. Beyond scripted, Herbert could make a significant impact in unscripted content, where his knack for blending drama and reality has yet to be fully tested. A potential docuseries or competitive reality show under his banner could redefine how Black stories are told in non-fiction formats. The key will be maintaining his signature authenticity while adapting to new mediums. If there’s one thing Herbert’s career proves, it’s that he thrives at the intersection of culture and commerce—making his future moves worth watching.
Conclusion
Vincent Herbert’s career is a testament to resilience. While *Empire* remains his defining work, his current trajectory shows that he’s not just reacting to industry changes—he’s shaping them. The answer to *what is Vincent Herbert doing now* isn’t about chasing another blockbuster; it’s about building a legacy. His focus on mentorship, strategic partnerships, and sustainable storytelling ensures that his influence will outlast any single project. For fans and industry watchers alike, Herbert’s journey is a reminder that success in media isn’t about one viral moment—it’s about consistency, vision, and the courage to redefine your own rules. As he continues to evolve, one thing is certain: Vincent Herbert isn’t done yet.Comprehensive FAQs
Q: Is Vincent Herbert still producing *Empire*?
A: No. Herbert left *Empire* in 2020 after creative differences and the show’s cancellation by Fox. While he remains a cultural icon tied to the franchise, he has not been involved in its revival efforts or any direct *Empire* spin-offs.
Q: What projects is Vincent Herbert currently working on?
A: As of 2024, Herbert is executive producing *Power Book II: Ghost* (Starz), consulting on *The Chi*’s later seasons (Showtime), and developing new projects through *Herbert Entertainment*. He’s also active in mentorship programs for emerging Black creators.
Q: Why did Vincent Herbert leave *Empire*?
A: Herbert cited "creative differences" and the need to explore new projects. Industry reports also suggested fatigue from the show’s intense production schedule and the pressure of maintaining its cultural relevance post-cancellation.
Q: Is Vincent Herbert involved in any unscripted or documentary projects?
A: While he hasn’t announced major unscripted work, his producing company has expressed interest in docuseries and competitive reality shows. Herbert’s background in blending drama and authenticity makes him a strong candidate for high-concept unscripted content.
Q: How can aspiring creators work with Vincent Herbert?
A: Herbert’s *Herbert Entertainment Fellowship* program is the primary pathway. Interested creators should apply through industry networks or submit materials directly to his production company, which occasionally opens calls for new talent.
Q: What’s the biggest lesson from Vincent Herbert’s career?
A: His ability to pivot without losing his creative identity. Herbert’s post-*Empire* work shows that success in media isn’t about clinging to one hit—it’s about adapting, mentoring, and staying ahead of industry trends while keeping Black stories at the center.
